Korpilombolo 2025

‘Korpilombolo' is a series of six monochromatic diptychs shot in and around the remote village of Korpilombolo in northern Sweden. A place shaped by isolation, local legend, and an enduring sense of mystery.

Selected by a series of aesthetic critera each pairing brings together two related but distinct images drawn from the abstraction and minimalism of the natural world. A visual relationship that allows each image to resonate and transform. Their interplay designed not to describe a singular place or event, but to create a space where a third, more ambiguous image can emerge. A surreal landscape where new meaning is formed and the memory and spirit of place is enhanced

In Dark Seas 2020 - Present

‘In Dark Seas’ delve’s into the primal, almost mythic pull of the ocean after dusk or when storm clouds darken sky. These images are less about geography more mood and atmosphere. Portraits of the sea in its most enigmatic state, when light recedes and what remains is presence, depth, and mystery.

The minimal light shapes the composition. The sea becoming abstract, uncanny - transforming into something more felt than observed. These are not landscapes in the traditional sense more meditations on isolation, immersion, and the unknown. The darkness of the sea holds a particular kind of beauty quiet, vast, and humbling. This series seeks to evoke that beauty not through clarity, but through suggestion: metallic shimmering reflections, the dim textures of waves, a line of light on the horizon like a brushstoke.

The ‘Special Edition’ prints expand this vision. Select images from the series are reimagined, their surface textured and painterly and presented within the frame of medium format film. A device that not only intensifies their tactile presence, recalling the physicality of analogue photography but also acts as container of the seemingly infinite vision of sea and sky . These editions heighten the sense of mystery, inviting the viewer to experience the images not only as photographs but as objects each a unique meditation and conveyor of emotion.

‘In Dark Seas’ is an invitation to stand at the edge not to look outward, but inward. To embrace the dark not as absence, but as a mirror.

Time & Tide 2025

‘Time and Tide’ is a meditation on rhythm, repetition, and the shifting interface between land and sea. Composed of fragmentary aerial views, the images layer and juxtapose tidal formations to explore not only the physical movement of water but a tangibility of time within the photographic image. Tide as planetary metronome an earthly ticking clock provides the perfect subject matter to explore this tangibility. Through an aerial lens we encounter abstract patterns exaggerated further through fragmentation. The sea is not a singular event, but a cycle endlessly reforming itself across surface, light, and structure. Each composition captures the ephemeral choreography of tide lines, foam, and sediment, moments held briefly in a grid before vanishing again. The repetition is not mechanical but organic, echoing the ceaseless arrival and retreat of the sea. The shoreline becomes a kind of temporal canvas, constantly overwritten by the passage of water and time. In ‘Time and Tide’ photographic realism gives way to something more abstract. The viewer is invited to observe both the micro-patterns of wave and sand, and the larger, structural act of visual assembly, how time, like tide, is both linear and cyclical, fragmented and whole.

Degrees Of Stillness 2025

‘Degrees of Stillness’ - A series of diptychs that explore the tangibility of time within the photograph using the classical elements - Water, Earth, Air and Fire. The placing of two images together forms a visual relationship that allows each image to resonate and transform, their interplay combining to form a richer more complex third. Here each pairing juxtaposes elements in various states, yet all are in motion. From the imperceptible movement of glacial ice to the rapid torrent of a waterfall the camera records stillness, as fluid shapes seem to solidify abstracted on the picture plane their true origin masked, frozen in a fraction of a second. The camera’s freeze-frame echoed in the environment as life is suspended in ice. Frozen leaves on the forest floor their decay suspended by frost beside the permanence of ancient rock. A single cloud juxtaposed with an image of mountain mist - air in its frozen state. The Sun, the ultimate fireball in the deep freeze of space captured during a partial eclipse, when our connection with the universe seems more tangible alongside an eight minute, twenty-second exposure of a delicate flickering flame - The time it takes light to reach Earth from the Sun. Together these images contemplate transience and permanence, and the camera’s ability to still the passage of time - a fleeting permanence, unseen by the human eye.

Luna 2025

‘Luna’ is a series of nocturnal landscapes made during the moon’s fullest phases with exposure times of up to 20 minutes. Night becomes day, except something seems subtly altered, unfamiliar. A strange ghostly glow envelops the land - Subdued tones give way to blurred shadows penetrated by a silver light, revealing detail previously hidden.

The moon, a giant light source in motion - a kind of celestial reflector. It’s shifting position reshaping the landscape, extending shadows, softening edges, and allowing time to accumulate within a single image. The resulting photograph holds a temporal compression in which time, movement, and stillness coexist. A landscape suspended between presence and absence. What is recorded is not as the eye perceives it, but a duration that remains largely invisible to human experience. ‘Luna’ explores how the photograph can transform the act of observing encouraging slower and more contemplative approach where the familiar is rendered strange.

Dark Light 2023 - Present

The Dark Light series explores the delicate edge between night and day, presence and absence, perception and ambiguity. Each image is a meditation on stillness an invitation to witness the silent transitions that occur when the world slows and light becomes less about illumination and more about mood, memory, and meaning. Shot primarily at twilight or in near-darkness, these seascapes and horizons are intentionally minimal, the long exposures flatten motion, often abstracted to the point where sea and sky merge into pure tone and texture. This body of work is not about capturing what is seen, but what is felt, the poetic tension between what is revealed and what remains hidden. The aim to evoke not only the physical experience of twilight, but also the psychological and spiritual space it represents.